However another
element I wanted to bring in was trying to mask this identity by
creating masks. (influenced by artist Jane and Louis Wilson who use make-up as a form of camouflaging their faces from face recognition CCTV).
Working in
Photoshop over and over again in my minor project I wanted to go back
to using just raw materials creating watercolour paintings depicting
futuristic masks with geometric shapes, using the colours that I had
taken from the 'DECRYPT' trend from WGSN. Here is an example shown below which I thought was really successful.
These masks would prevent
the human scanning process and would also be a piece of art within
itself. I took inspiration from Picasso's cubist portraits and tribal
masks, these worked really well by themselves but I wanted to bring
them back into Photoshop and layer them on to the face. I did this to
show what it would look like when these identity, this would be a
section within what I would hope to be my final editorial magazine.
masks were put on human faces to prevent the human barcode scanning
process, giving a narrative to the images in the spread.
This would
act as my answer to a fashion spread, without including any garments,
as it is more about the face. I also wanted to look at the figure as
a whole and not just the face creating geometric and linear shapes
for a masked garment, with the same colour palette to add more
elements to the story. Masking the whole person and their identity.


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