I stuck to neutral tones and found that I liked the
texture of the 'velum' paper which is second to the left as it has watercolour paper qualities,
not to mention the tactile qualities of the paper. Colour-wise the
recycled paper was just off white, I found this worked well and still
kept the detail of the image. The printer paper at the University
definitely gives the image more definition and picks up on all the
details and gives the image a glossy finish, which I believe works
well. Investigating the Paper gallery made me think of my audience and who
Paper Gallery are drawing and designing for. So far my work as been
quite abstract and has been for more of a fine art context,
however I don't see myself as a fine art practitioner.
I see this
part being the development stage of my work that will then inform
where my practice goes. The only thing I can determine so far is that
my work is for more of a marginal audience then a mainstream, due to
the complex ideas and reasoning behind how my work is created. It is
very conceptual like the work of Gosia Wlodarczak who looks closely
at existence through drawing.
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